suspect device reviews - new

The Music...


Second release on Anthrax’s own label, and it’s another quality record. Anthrax open things up with a song that sees them venture into unfamiliar territory; while the chorus has that Anthrax sound we are all familiar with, the verses sound more like Culture Shock. It took me by surprise initially, but it works a treat, and with lyrics detailing the lies and propaganda we are fed every day, it’s an easy song to get into. Pedegree Skum’s “Futitlity Of The Human Condition” is a more straight ahead punk rocker, and I think the title lets you know what sort of subject matter they cover; it has the right amount of anger and driving punk to lodge it in your brain. Dog Shite isn’t a great name for a band, especially one that has such good lyrics and an interesting sound. I’d hate them to be dismissed just because of their name because their ska inspired, groove laden song has outspoken, feminist lyrics which really get their point across; it’s as catchy as it is angry and was the song that grabbed me on first playing. Slug round things off with an Anthrax like angry, anarcho punk song called “Weapons Of Mass Destruction”. Four great songs, nice packaging and another great release proving that DIY doesn’t have to mean substandard.

Grow Your Own: (Tony)

BURNT CROSS “Life Is A Battlefield” 7” Tadpole / Active Rebellion etc

This is something like the 11th 7” from Burnt Cross, and it keeps up the high standard that they set with all the others. Impassioned, opinionated, angry and outspoken punk, recorded in Rob’s bedroom and released by Tadpole in conjunction with 12 other labels; the DIY spirit is alive and well and proving that it works. If you’ve liked Burnt Cross’ other releases then you’ll like this, if you’ve not heard them then this is as good a place to start as any. This is another quality release.

Tadpole:  (Tony)

DAILY RITUAL s/t LP Sabotage

Hailing from Singapore, Daily Ritual give us an 8 track album of infectious, melodic, political punk. Musically this is in the same vein as Red Dons and Masshyseri, while the lyrics to songs with titles like “Surveillance” (We got no place to hide from their eyes), “Desperation In A Police State” (This is a police state / We hold your passports / Your access to freedom...) and “The Siren” (When the sound of siren starts to wail / You know they're coming here for you) are inspired by life living in a totalitarian state. This is just a great LP, music to make your heart race and lyrics to engage your mind; this is punk rock!

Sabotacge: (Tony)

THE DESTRUCTORS ”Politika – Strange Bedfellows EP” CD Rowdy Farrago

I write this review in the week leading up to the 2015 General Election and I have to say that this is ne manifesto that has the truth printed in it! No lying, No bullshit, No one trying to con you! No one escapes a song or a line or two in their honour as The Destructors hit you with a string of anthems that should stir even the most  apolitical of you. From the first track ‘Vote’ to the last track ‘Don’t Vote’ this stands out as one of the finest Destructors releases. Energy, anger and no lack of passion are injected into this Punk Rock masterpiece! Oh yeah! Speaking of anthems! One of the finest covers of ‘Owe us a Living’ by Crass you’ll ever hear is mixed up in all this too! Next time you’re watching the news and you see our glorious political masters opening their mouths and saying nothing – remember the truth is out there! Put this CD on and remind yourself that protest is still alive. This gets ones vote!

The Destructors: (Gaz)

THE DESTRUCTORS “Greatest Misses” CD Rowdy Farrago

After their 1983 split The Destructors returned to the fold in 2005 and have been with us ever since. They came spinning out of the second wave of UK Punk bands and produced a few gems in that time but since 2005 they have probably been the most prolific recording band I have ever known. EP’s LP’s  & split releases have come out on an almost monthly basis it seemed at one point! So if you’ve not been back to join them in the fold but have been curious, then this is probably the one release you should own. They have re-recorded some of those early gems, covered some gems by many a band – not just punk ones either and wrote a few more of their own! Some of their releases have been on a theme and dealt with entirely one subject like the media, politics and drinking to name but a few.. Peterborough’s punk rock finest like a good wine have only improved with age and despite that advance in age they have kept the rage! Hard hitting and punchy, I don’t see them caging that rage for a while yet.. There’s just too much to get angry about sometimes and you just gotta get it out! Blessed are the meek but what shall they inherit?

The Destructors: (Gaz)

DIM PROSPECTS s/t LP Lunadiscs / Créme Brûlée

This record arrived via punk post from Dim Prospects’ guitarist Mops who gave it to my good friend Rich when he visited Vienna recently. Many years ago Rich had given me an album by an Austrian band I’d never heard of at that point, Target Of Demand, it was a great record that also featured the guitar talents of Mops. I wouldn’t go as far as comparing the two bands, although some of the guitar parts on this do have me thinking of that record, perhaps unsurprisingly. Dim Prospects deliver driving, melodic punk which at times reminds me of early Leatherface or even Pegboy, and although not super fast, the songs are brimming with an energy that gets into your soul and makes you feel you can do anything. I’ve been playing this a lot and have no hesitation in saying that this is one of the best melodic punk records I’ve heard in a long time.

Dim Prospects: (Tony)

DIS-TANK “D-Beat Hardcore Bruisers Vol.1” 7” Kibou / others

The title of this pretty much sums up what you’ll get here; ten tracks of straight ahead, no frills hardcore punk rock. Three of the tracks are from their “D-Beat Machine” cassette, but that’s out of print now, so you get to have them on vinyl along with 7 new ones. Musically it’s reminiscent of The Domestics, but that is just because of James’ vocal delivery and the ferocious songs, it’s a bit more ragged round the edges, which is no bad thing in my book. I’ve been playing it a lot these past couple of days, I guess with no song over 1 minute, ten seconds, it finishes leaving me wanting more, so I just flip the record and start again. This is another multi-label release with Global Resistance, Mono Canibal and Desorden also involved in its release.

Kibou: (Tony)

¡DISCULPE!  s/t 7” Tadpole / Opiate / Keep It In The Family

Fast, fuzzed out, chaotic hardcore punk with desperate sounding vocals that is really hitting the spot right now. ¡Disculpe! feature people who’ve been around and know what they’re doing, and they’ve brought all that know-how to this band and delivered a supercharged 6 track 7” that rally blows away any cobwebs cluttering up your mind. It really is a great record, and it’s another DIY co-operative release between three cool labels. This South London/Southend band are as good as any around, anywhere, at the moment, really.

Tadpole: (Tony)

DOCTOR & THE CRIPPENS “Cabaret Style: Singles Unreleased Live” CD Boss Tuneage

The third and final instalment of Boss T’s quest to re-issue the complete Crippens discography, and it does exactly what it says on this cover.  Kicking off with 13 previously unreleased demo songs from the first three years of the 1990’s, if ever a band’s sound summed up what was going on in the UK at that time, then you get it here. Listening to this has visions of DIY gigs, of being in a room full of friends which, looking back, seemed like an endless stream of brilliant live bands. The good natured heckling, the pig piles and the feeling of freedom and in this band’s case, the sight, sound and pain of exploding cabbages. Thirty Two tracks of fine punk rock and silly tomfoolery which despite the feelings of nostalgia doesn’t sound dated or in any way lacking in energy.

Boss Tuneage: (Tony)

THE DOMESTICS “Routine & Ritual” LP TNS etc

If you want to know what keeps me motivated to keep involved with this punk rock lark, just play this record. The Domestics have always been a good band, but here they take it to the next level with a brilliant album that is without doubt the best thing they have released so far. There’s no messing around or niceties here; it’s an all out assault of pummelling, fast punk rock with lyrics attacking the ills of the world and human kind. An album full or energy, anger, speed and power is just what is needed to prove that DIY punk is alive and kicking and as relevant as ever. This is released by TNS Records along with Kibou, Imminent Destruction and Orchestrated Dystopia, so hats off to them for making tis happen.

TNS: (Tony)

DONE DYING “We Dream Or We Die” LP Workshed

The veterans are here to show us how it should be done, with eleven sub three minute, powerful  hardcore attacks. These guys have been there and done it and know how to make this sound work in 2015. Dan’s vocals are distinctive of course, and lead to an inevitable comparison to his past work, but it doesn’t feel like a yearning for the ‘good old days’, this is their sound and they are not trying to be anything other than true to themselves. Big guitars, gang vocals and driving hardcore are the order of the day here, and if anyone is going to do this right it’s these guys, so you damn well better sit up and listen. As you would expect, there are some good lyrics here and I particularly liked the short, sharp, to the point “With This Ring”. This has been getting a fair few spins since it arrived, and not just because the mottled grey vinyl looks so lovely. They ride!

Workshed: (Tony)

EEL - s/t EP - Beach Impediment

If what The Damned said about noise, noise, noise is true, then this Pittsburgh band are certainly heroes. Blown out, fast hardcore, with a lead guitar cutting through to hold it all together. Three original songs and a Disorder cover to round things off. I put this on without looking at the track names and while doing an initial mental review as I listened for the first time and I’d already penciled in Disorder as a reference point when ‘Today’s World’ started. Repeated play has elevated this from being something I didn’t care for much to being  something I’m quite enjoying now. It’s a bloody racket, but then that that is no bad thing in my book.

Beach Impediment: (Tony)

ELMERHASSEL “Entertainment Value: Discography Part 1” CD Boss Tuneage

ELMERHASSEL “Self Analysis: Discography Part 2” CD Boss Tuneage

Usually when something comes out on Boss T’s retro series I get really excited and nostalgic thoughts fill my mind; it’s always great to find that songs I remembered so fondly still sound as great as I remember. This time, although I knew the name, and I was aware that they were around, I have no great memories of Elmerhassel, and apart from a track on Boss T’s “Floor 81” compilation I have nothing by them. It’s all very melodic, sounding like Mega City 4 did after their initial burst of energy, when they sat down and wrote more considered songs. In the early to mid ‘90s there were a lot of bands playing this sort of melodic stuff and it seems that, for me, Elmerhassel just got lost in the pack. I’m probably in a minority, I usually am. Anyway, Part 1 of the discography has their “Honour Your Partners” and “Billyous” LPs, “Almost At One” 7” and a couple of comp tracks, including that “Floor 81” track which is the earliest and best song on the first CD.

At this point we’re up to 1994 in their story, Part 2 kicks off with 1995’s “John Wark” LP, which has a better guitar sound and a few bits that remind me of Shutdown, but only once or twice. There’s also the “Pride In Ipswich” 7” and then back to 1991 for their first demo. Part 2 is definitely the better of the two CDs, but it’s not often I am left feeling underwhelmed by one of Boss T’s retro releases; I guess this band weren’t, and still aren’t, for me.

Boss Tuneage: (Tony)


The first recorded outing of EGS as a three piece may only have two songs on it, and the sound may be a slight change from what we have come to expect but the ferocity and speed of the music is as blistering as ever. ‘Am I Right Or Am I Wrong?’ and ‘This Machine Kills Bullies’ are both a raucous thrashers with great lyrics, and have Gords and Andy taking on vocals for one song each. I love this record, and the white vinyl just looks so good.

Viral Age: (Tony)

EPIC PROBLEM - ’11-’14 CD - Boss Tuneage / Savage Amusement / Pumpkin

Up until now Epic Problem have had released 7’ and 10” EPs and had tracks on compilations, and here those songs are all compiled together for their first CD release. Musically you could trace a line from The Ruts through Jawbreaker to Milloy and Bear Trade with an obvious comparison of Leatherface, and of all the bands with that sort of sound, none have done it as well as these guys; there’s the melodies and the gruff vocals but there is a rough punk edge that sets them apart for me. I was lucky enough to meet Mackie at a Paint It Black gig in Manchester before he’d got this band together and he has been kind enough to keep me up to date with their progress ever since, so these songs are all very familiar, and I cherish the vinyl copies I have, but it is nice to see them all collected together here for those of you not lucky enough to have the vinyl versions.

Boss Tuneage: (Tony)

EPIC PROBLEM / HOLIDAY split 7” Brassneck / JSNTGM etc

Another of those multi label releases, something I’m all for if it means that good bands get their music out. Epic Problem certainly are a good band, and each release sees them raise their own personal bar a little bit higher. Their opener here, “Petrol Blue” sees them give Off With Their Heads a run for their money, while “Blindside” could just be their best song yet, a real stunner. Over on the other side, Holiday deliver two songs in ta similar vein;  gruff vocals backed by energetic, melodic punk rock, good but with slightly less of the aggressive edge that makes Epic Problem really hit home for me. This is a damn fine release that has a real co-operative feel about the whole thing, and that appeals to me as much as the music.

Brassneck:  (Tony)

THE FITS “Offerings at the Altar” CD Punkerama

Recorded live at the Voodoo Club in Belfast on the 4th October 2014 this intimate recording        finds The Fits on fine form with twelve tracks spanning their time together. Opening with early 80’s stuff from their first records – ‘Last Laugh, Bravado and Straps’ they move on to the mid 80’s releases of ‘Peace and Quiet’ from their split 12” with the Test Tube Babies and a great rendition of ‘Action’. Towards the end come the latest offerings of ‘Chances’ and ‘Son of a Gun’ from the latest ‘Lead On’ EP. I actually like the newer stuff as much as the older songs and The Fits are one of those bands that despite being away for many years have got back together in recent times and are better than ever. This is one of those live albums that you will play more than once that’s for sure – Great sound and makes you wish you had been there just for ‘Tears of a Nation’.

The Fits:  /  /  (Gaz)    

THE FLATLINERS  “Resuscitation of the Year” 7" Fat Wreck Chords

A 2 track single from this long running Canadian skate punk type band, which seems a tad tight? And the A side song is from an album well over a year old, all seems a bit odd to me. Having said that, after giving this several listens, after the Guvnor said I “HAD” to review it, they’re 2 good songs. The title track starts off with a nice dual guitar riff, nice and mellow, before the whole band kicks in and go hell for leather. Pretty typical Epitaph, Fat Wreck, skate punk sounding stuff but done well and with a little bit of a Manic Street Preachers sound too I’m hearing? Maybe just in the vocals. The B side is a more “hardcore” sounding track, screamed vocals and reminding me of Good Riddance. Nice old school tattoo flash card style cover. And that’s your lot. 

Fat Wreck Chords:  (si)

411 “The Side You Cannot See” LP Workshed

Some bands hit the right chord straight away, they have an instant impact on me and more often than not that ensures that they remain firm favourites from then on. 411 are one of those bands; 1990/91 was a time of great personal upheaval and confusion for me, everything was cool when it came to punk rock, the local scene and this zine, but away from that, real life was giving me a good kicking and 411’s driving melodic brand of hardcore was exactly what I wanted to hear, to help me escape, I could lose myself in their songs. In the years since then the “Say It” 7” and “This isn’t Me” LP have continued to be regular visitors to my record player. This brilliant record compiles those two releases along with compilation tracks, 16 tracks in all that still sound so good 25 years on. Guitarist Kevin Murphy went on to play on Farside’s best records, but I don’t think he ever bettered his playing on these songs, and that guitar sound along with the powerful rhythm section of Josh Stanton and Mario Rubalcaba provided a wonderful platform for possibly Dan O’Mahony’s best vocal delivery. This re-mastered compilation will hopefully make these songs more available to those who may have missed them first time round.

Workshed: (Tony)

FRAU - Mira 7” - Self Released

Second 7” from one of my favourite current bands, and another gloriously noisy affair it is too. When I first saw Frau live it felt like what it must have been like watching the Slits in 1977, and that wasn’t just a lazy comparison because they were girls playing noisy punk, it was the feeling of exhilaration as the energy that was coming from the stage hit me, the joy of seeing a band doing things on their terms. This EP is not slick and polished and over produced, it’s lo-fi and a bit of a racket, but it sounds so good; this record sums up what is great about DIY punk, it’s stripped down, basic, loud and uncompromising and it’s the sort of thing that keeps me interested and motivated. When I hear records like this I want to write about it and I want to play it for people, it even makes me want to keep playing music myself. As if that was enough, my copy is on red vinyl too! (Tony)

GERIATRIC UNIT - S.O.T.O.  7” - Viral Age / Crew For Life / In Your Face

I wasn’t sure if we’d see another GU record, so I was delighted when this appeared. Carrying on where their last album left off we get three hardcore gems with Gord’s angry vocals spitting out his frustrations with this world and the people who inhabit it, and one  longer, slower, brooding song that starts with a cry of “Oh fuck off!” From there it attacks the sort of macho, selfish nonsense that seems to be accepted as normal these days, and the alienation that means for those of us who want no part of that world. This is a great EP and one that has been released by both UK and Japanese labels. Nice red vinyl too. Old, fast, loud and best!

Viral Age: (Tony)

GOOD RIDDANCE  “Peace In Our Time” Fat Wreck Chords

Has it really been 9 years? Apparently so, but it sounds like they never missed a beat. This is a top drawer album, and exactly what you would expect from this band, if it aint broke…….etc. Fast, melodic, hardcore punk, skate punk if you will. These guys are up there with Bad Religion at being the best at doing this kind of thing, and still sounding fresh and legitimate after all these years. Track 9, of 13, “Washed Away” sounds really Descendents, even down to the vocals, and I for one, am not complaining. Amazing musicianship, great vocals, and back up vocals, top sound, and their, as always, great lyrics to back it all up. An album that literally flies by and demands a repeat or several.

Fat Wreck Chords: (si)


Only formed in 2014 and describing themselves as an electro-hardcore punk band, three-piece H.O.B from Birmingham have certainly embraced the DIY spirit with this release. Recorded on an old BOSS recorder with free mixing software they say it’s the music and message which counts not slick production. I actually think they’ve done a decent job with what they have at their disposal! Tuneful, intense, driving Punk with their lyrics of social injustice and struggle for a better future make for six tracks of really listenable stuff. The Clash sang about being a Garage Band – well HOB have not signed to CBS and truly make punk music in their garage... Or lock up! Same thing but let’s not split hairs and knock old BOSS recorders as this is a quality DIY production from a good new band!

Healer Of Bastards: (Gaz) 

IMMOLATO TOMATOES - Stumbling Block: Complete Recordings 86-88 CD - Boss Tuneage

The 1980s was a terrible decade, pretty much a disaster from start to finish, however the one thing that kept me sane was punk rock. The mainstream media had long since killed it off, but it had gone underground, where it belongs, stronger than ever with local scenes springing up in towns and cities throughout the UK. From that and the network of friends, fanzines and tape trading it fostered, we got to hear of local bands from all around who were creating great music. Out of Brighton and, inspired by US hardcore, came Immolate Tomatoes with a high energy, infectious, speedy sound that, even now, nearly 30 years later, sounds so inspiring. Sadly they didn’t get round to releasing anything on vinyl at the time, but thankfully Boss Tuneage have come along to make these songs available to all with a 22 track CD featuring the three demos they did record. Obviously the recordings aren’t polished, but I think that makes this all the more valuable, it allows the spirit and vibrancy of these songs and this band to shine through. The CD booklet has great sleeve notes and some cool pictures and getting this in the post put a big stupid smile on my face; now every time I listen to it that smile always returns. As much as punk needs to keep moving forward, and new bands need to be championed, it’s also important to make songs like this available; this is our history and it should be celebrated and cherished.

Boss Tuneage: (Tony)

INSTIGATORS “Phoenix” CD Boss Tuneage

This is my favourite Instigators album. Yes I know the first one is a classic, and I did love it, but this is the one where I really connected with the band, and when the familiar orchestral intro started the hairs on the back of my neck stood up. These songs have been no strangers over the years, but even so I was impressed at how great they sounded here, and the quality of the songs still shines through as brightly as they every did. When the wonderful album closer “Dark & Lonely” finishes, there’s a ten song live set, recorded in Berlin in March 1987; this brings back memories of the countless times I saw them around that time; a nice mixture of songs from “Phoenix” and the first album, plus the brilliant “The Blood Is On Your Hands”. The booklet has the lyrics and some cool photos and the stark artwork still looks great too. Instigators were an important band for me, and when this was originally released, the record was quickly copied onto cassette which I took everywhere with me, so these songs are burned into my brain. Boss Tuneage are providing a public service making these old releases available again and this is another top re-issue.

Boss Tuneage: (Tony)

KNOCK OFF “Same Shit Different City” Self Release

If you like your Punk music fast, tuneful and a bit raw then Knock Off strip it down to just that. The lyrics seem to be a mixture of some serious stuff and some not so serious stuff (Wanker!). If you hate love songs like I do then check out their track ‘Love Song’, it brings a smile to my face every time I’ve heard it! Where do Knock Off go from here? More of the same would be my guess and why not. I’d like to see them live in a small venue with a few beers; I think they would make for a pretty good night out and I know I’d be on that dance floor singing along to ‘Little Boy Soldier’. Live is where this stuff will get Knock Off noticed for sure!

Knock Off: (Gaz)

THE JONES “Gravity Blues” CD Boss Tuneage

Wow, this was originally released 15 years ago! Re-released to help Boss T celebrate 25 years of putting out records, this is a fine album to have back available again. At the time this was a very exciting album for someone like me who was a big fan of HDQ, as it featured singer Golly and guitarist Dickie Hammond back together and releasing an album that really could have been a lost HDQ album. The driving, melodic punk rock could have been released between “Sinking” and “SoulFinder” and fitted in perfectly, it has the harder edge of the former and the tunes of the latter. Quite something when you consider there had been something like a ten year gap between HDQ’s final release and this. Not only do you get the album here, but also tracks from Golly and Dickie’s other post HDQ bands, Fatty Jones and Stokoe. I have to admit to not playing this album for a few years, and I now realise that was an error on my part as I’d forgotten just how much I like it; once again Boss Tuneage comes to my rescue.

Boss Tuneage: (Tony)

LA URSS “Maravillas Del Mundo” 12” Sabotage

This Spanish band my have offered up 10 very melodic punk songs here, but don’t let that fool you into thinking they are weak, there’s an edge to them and they have good energy. They remind me of the sounds coming out of Northern Ireland in the late ‘70s, with a bit of  an early ‘80s sound too; the two bands I keep being reminded of are Rudi and Chron Gen. That’s not to say that La Urss directly copy those bands, but that is the sort of feel I get from listening to it. It’s good album of driving punk rock tunes with lyrics inspired by their local social environment and the current social political situation.

Sabotacge: (Tony)

MERCY KILLINGS “Snuffed Out EP” 7” Beach Impediment

Brand new EP that follows on nicely from their self titled rager. Heads down, straight ahead, full throttle hardcore punk that’s angry and hard hitting without sounding like it just wants to be a soundtrack to mindless violence. These guys have been around a long time, playing with bands like Wasted Time and Direct Control among many others, and they certainly know what they’re doing, and have delivered five more blistering tracks. This is another great release, and one not to miss out on.

Beach Impediment: (Tony)

NIGHT BIRDS “Mutiny At Muscle Beach” Fat Wreck

I have to admit that although I was excited for a third Night Birds album, there was a little trepidation too, after all they have already released two great albums, so could they possibly follow them with a third gem? Well, right from the off, “(I’m) Wired” burst out, fast and furious and I instantly knew everything would be ok; it’s the first of twelve tracks, and every one is great. Night Birds retain that knack of infusing their songs with the spirit of early USHC, but making them sound new and exciting; I hear an influence of Dead Kennedys, Dickies, Agent Orange and even Ramones in these songs, but at all times you know this is Night Birds, this is their sound, and they rule. Lyrically there are tales of alienation and, perhaps, something a lot more personal, plus some political comment; I especially liked “Getting lost in fictional worlds, character depth and byzantine plot / No need to deal with the latest war, another unarmed citizen shot / Lower the blinds and I’ll be just fine as long you keep them shut / Parental block on the cable news - god bless the new samizdat.” which kind of sums up how I feel about the mass hypnotisation of the masses by TV and the media to stop them thinking about the real issues in the world. So, those slight fears I had were eliminated in seconds; “Mutiny At Muscle Beach” is another brilliant album, it has everything you’d want from a classic punk rock album, and it’s the best thing Fat Wreck have released for years.

Fat Wreck: (Tony)

ONMACHT s/t 7” Tadpole / Opiate / etc 

Dark and bleak, yet driving and energetic; Onmacht assault you with thumping rhythms, jarring guitars and venom spitting, throat searing vocals. In these times of austerity and inequality, punks should be releasing records like this; angry, uncompromising and not afraid to be outspoken; this is punk fucking rock in all its pissed off, raging glory. As well as all that, this is a DIY co-operative release between several international labels. You need this record.

Tadpole: (Tony)

PEACHFUZZ   “Raise High Your Bright Halo Of Stars” CD Bombed Out

I was rather excited when Tony asked me to review this, the other 2 albums I have of theirs are ruddy good stuff indeed, so, got this bad boy and metaphorically threw it on. First play through it didn’t hit me like I had hoped or expected but wasn’t overly concerned, sometimes it takes a fair few listens, so I persevered and have kept going back to it but alas it just isn’t doing it for me. I went back to the other albums to try and reconnect but they hit me like they did first time and I suddenly realised I much preferred them to this one. This album is much more one paced, pretty slow, and much more ROCK compared to older their stuff which was great early Lemonheads/Replacements type stuff. Tracks 7 & 8 are pretty good, with a Social Distortion kind of thing going on, but again both slowies. The whole album seems to just plod along, I love a great slow paced song as much as the next man but I’m really sorry to say that this album doesn’t do it for me, bit gutted really.

Bombed Out:  (si)

PERMANENT RUIN “Are You Ready To Sacrifice?” LP Agipunk

This was released to coincide with Permanent Ruin’s 2015 European tour, I was excited to see that it was being put out by Agipunk in Italy, meaning it would be easier to get hold of, which was good as PR weren’t visiting the UK on this tour. There are twenty one tracks here, five new ones plus the songs that made up their “San Jose”, “Mas Alla De La Muerte” and “Hell Is Real” EPs. I only had the “Mass Alla...” EP on vinyl, so it was good to get a physical copy of the other songs. The five new ones are as great as you’d expect, and like those on the other EPs are fast, raging, hardcore punk that manages to add driving punk rock to their in your face noise attack. I love this band, their music makes me feel alive, I can feel the energy they generate feeding into me, keeping that DIY punk rock flame burning brightly.

Agipunk: (Tony)

PIÑÉN s/t 7” Self Released

This is so good. The PIÑÉN demo was a great example of the power of DIY punk, and they carry that on here with 6 more tracks of stripped down, hard hitting punk rock. There may only be two of them, but they kick out a wonderful racket of thumping drums, a buzzing, loud guitar and rasping vocals; it may be basic, but you can feel the energy bursting out, and despite the lyrics being in Spanish, the anger of their strong anti authoritarian message is obvious. The cover is silk screened and opens into a booklet. Everything about this release is great, the music is loud and challenging and leaves you feeling that you could do this...And you can, so get on with it! Inspiring stuff. (Tony)

POISON IDEA “Confuse & Conquer” LP Southern Lord

It’s 2015, the world continues to be fucked by governments and religion, so what better time for there to be a new Poison Idea album? I think I may be in the minority by preferring Poison Idea’s earlier stuff over their later, heavier releases, so it’s good to be able to report that “Confuse & Conquer” has elements that appeal to me, as well as catering for fans of their later output; there are faster, more direct songs, more mid-paced, harder songs and over all there is familiar feel to this brand new album. A lot of long standing bands seem to loose their energy and power as they get older, not Poison Idea, they are as pissed off, hard hitting and confrontational as they’ve ever been. This is hardcore punk rock!

Southern Lord: (Tony)

CJ RAMONE “Last Chance To Dance” LP Fat Wreck Chords

Let’s face it, when Dee Dee quit The Ramones, for a ‘career’ in Hip Hop, it wasn’t looking good for the not-so Happy Family, so credit must go to CJ Ramone for stepping up and assuming bass duties. That was a huge pair of Chucks to fill, but CJ’s integration into the Brotherhood revitalized the band and gave ‘em a few more good years. Life has been a rollercoaster for CJ in the intervening years, and he’s back with a new album, a stand-up band - that includes Steve Soto and Dan Root from The Adolescents – and this new album. The chemistry is definitely there, with punchy Punk Rock ‘n Roll numbers injected by some solid West Coast harmonizing from the Southern Californian contingent. A real smooth ‘n fun listen from start to close, and my foot didn’t stop tapping for the duration. This outfit has toured in The America’s (North ‘n South) and Australasia, so here’s hoping some UK dates are not far in the offing. Hey Ho… you’ll wanna go!   

Fat Wreck: (PeteZ)

REALLY RED “Teaching You The Fear - The Complete Collection 1978-1985” Alternative Tentacles

Wow, this is so good. Really Red are probably not among the first names that spring to mind when you think of the USHC explosion of the early ‘80s, but they damn well should be. Hailing from Houston, Texas they had a style that was similar to what The Dicks were doing over in Austin, taking the USHC sound and adding a groove that brings to mind UK bands like Gang Of Four and Wire. Like all good punk from that era it wasn’t afraid to be a little different soundwise and a challenge to the status quo. This two disc CD compilation brings together their 1981 LP “Teaching You The Fear”, their second LP, long-lost second album, "Rest In Pain", all their sought-after 7"s, and some unreleased songs as well. For vinyl lovers you can get these songs over three LPs. It’s all been restored from the original tapes and remastered by Jello Biafra to bring out the true quality of these songs, and this band. Every home should own this.

Alternative Tentacles:  (Tony)

RITUAL CONTROL “Inoculation” EP Sabotage

Thundering out of the currently prolific Bay Area and featuring members of bands as great as No Static and Torso (among others), Ritual Control are a heavy juggernaut of a band. They are fast and heavy and uncompromising and at times a little too much for me. But they do have their moments where it clicks into place and I’m taken along for the ride. “Gifting the Flesh” is the one that ticks the boxes, it’s still punishing, but it’s fast and even has a hook to reel you in, while “No Cure” brings to mind Punch. Despite any misgivings I may have about the heaviness of these songs, I do find myself playing this a lot.

Sabotage: (Tony)


Imagine if the Pogues had grown up listening to hardcore, they would probably have sounded like Roughneck Riot. Folk music but played at 100 mph with buckets of energy, that’s what you get here, with some good lyrics. It’s not really the sort of thing I would normally choose to listen to, but I can’t deny that the speedy, catchy tunes are infectious; certainly, accordions, mandolins and banjos have never sounded so good.

TNS: (Tony)

SHALLOW CUTS  “Storm Watching”  7” No Idea

A hugely promising 4 track 7” from a band comprising members of Dear Landlord, Gateway District, Dan Padilla and Madison Bloodbath, which is pretty impressive I’m sure you’ll agree. And you pretty much get exactly what you’d expect, Gainesville type, melodic, gruff (though not that gruff) punk but with a pretty strong Replacements thing going on too,  and the songs are very short and it’s all over far too quick. Not much else to say about it really other than I want an LP!

No Idea: (si)

S.H.I.T. “Feeding Time” 7” Static Shock

You know this by now of course, but I’m going to say it anyway; S.H.I.T. are one of the best bands around, anywhere, at the moment. This is their third 7” and features a title track that is a re-recorded version of a song from their demo, it was a great song then and an even better one now. The other side has a new song that may be slower, but retains all their trademark power and intensity. Nothing more needs to be said, except, “buy this damn record.”

Static Shock: (Tony)

SPIRIT BOMB “Killer In Your Stereo” CD KIYS

OK, this was probably the first band I saw at Rebellion last year (2014) and were probably one of the bands of the weekend for me personally. Their youthful mates sold me the CD outside the room for a quid and said I should check them out. I did and the rest as they say is history. They were great live and the six tracks on this CD just confirm what a sharp act they are.. They have power, tunes, good lyrics and the singer Phil can sing; almost a touch of Ian Astbury of The Cult there in some places but that’s where any similarity ends! Spirit Bomb are just great and I’d like to hear more. This shit does really shine and it was always going to with Dek from Drongos For Europe playing the bass!

Spirit Bomb: (Gaz)


The second album from Helsinki's The Splits is a triumph of new wave influence punk rock; super catchy, melodic songs that stick in your head for days. The fact that personal turmoil in the band preceded the writing of this album means that it can be melancholic at times, but an uplifting tune is never far away, almost as if they are trying to banish any negative vibes. This band have toured with The Love Triangle, and that gives you an idea of the sort of sound that these Finns deliver on this record, and I’m liking it a lot.

Dirtnap: (Tony)

SPOILERS  “Stay Afloat” CD Boss Tuneage

New band from Kent formed when Dan Goatham left Southport and joined forces with three mates. This six track mini album is full of bright, up tempo melodic punk songs, with a slightly harder sound than Southport had, which makes them much more enjoyable for me. I was surprised at how much this grabbed me on first hearing, it’s super melodic, but does have an edge to it which makes it stand out, and it’s only the vocal harmonies and some of the backing vocals that grate a little. This album brings back memories of early Mega City 4 and Senseless Things with its speedy tunes and tons of energy, and I can imagine Spoilers being a pretty impressive live band too.

Boss Tuneage: (Tony)

STUPIDS “The Kids Don’t Like It” LP Boss Tuneage

Back in 2009, The Stupids had been gone for 20 years or so, leaving behind a catalogue of masterpieces that Boss Tuneage had done a fine job of re-issuing. Then they were back with gigs and a brand new album. It could have been a disaster, but it wasn’t, it was the Stupids sounding like we all want the Stupids to sound like, and despite the long gap between records, “The Kids Don’t Like It” stood its ground alongside those old classics. I don’t think it came out on vinyl then, but this ‘Deluxe Edition’ is on colour vinyl as well as CD. It contains the original album, the “Japanese Vacation” and “Feel The Suck” EP tracks along with a live set, recorded in Japan in 2011. “There’s no point in changing, because all they want is the same old shit!” When it’s this good, damn right.

Boss Tuneage: (Tony)

SYSTEMATIK “Bondage” LP Sabotage

This may only have 8 songs, but they are all mighty ragers, and unlike most punk records I listen to, 1 minute ten seconds is the length of the shortest song here, so you know they pack a lot of anger and energy into each track. Canada’s Systematik take their cues from “Hear Nothing See Nothing Say Nothing” era Discharge, so you get the idea of the sort of sound they get here; fast, heavy and hard hitting.

Sabotacge: (Tony)

SUICIDAS  “Los Primeros Seven Inches” 12” Sabotage

Based in Barcelona, with members also hailing from Vienna and Chile, who have also served time in Belgrado, Ruidosa and Destino Final, Suicidas deliver a powerful, driving, melodic brand of punk, with duel female/male vocals belting out lyrics both political and personal. This 12” features the tracks from their first two 7” EPs, and I have been playing it an awful lot recently, it’s another quality release from Barcelona that seems to have an uplifting quality that is also evident in bands like Las Otras and Crosta, without really sounding like either. The press blurb finished by saying “more to come.” I can’t wait.

Sabotage: (Tony)

TERMINUS “Back Among The Blind” CD Boss Tuneage

I think I may have said it in a review somewhere before but to a lot of people there seemed to be a bit of a void in the UK punk scene between the mid 1980’s and mid 1990’s when a lot of bands started reforming and getting back on the wagon. Even the revered Ian Glasper saw the end of the second punk coming in 1984 in his first couple of books (The Day The Country Died & Burning Britain).  Although what he has done and done so well is write another couple of books to take things on from 1984 and that’s where bands like Terminus filled the supposed void. I actually thought that the gigs I attended from 85 to 88 time were probably the most DIY the Punk scene has ever been. Terminus were not a hardcore Punk band covered in leather and studs but they did crank out some tunes with attitude and thought. This album was released in 1992 on the excellent Words of Warning label originally which hailed from Newport in South Wales and is now on the just as excellent Boss Tuneage label as part of its retro series. I always liked Terminus as they seemed to have a real honesty about them, they could be a bit dark and grim in their outlook lyrically but they had something to say and they said it well. I’m not sure Terminus will ever get back together like some old Punk bands as their profile was not like the earlier more well known bands. But they have certainly left us with a couple of good albums and kept the flag flying for the ones who never left the punk scene once Bands like Crass split. No extra tracks – just as it was released with all words included. 

Boss Tunesage: (Gaz)

THIRTY SIX STRATEGIES “Strategy 3” CD Boss Tuneage

As the title suggests, this is the third release from Thirty Six Strategies, and it’s obvious right from the start that, as good as the two EPs were, they were just flexing their muscles for this album. The songs are just as melodic as before, but here they hit home harder and have a lot more energy about them. New singer Marie has a great voice, perfect for these songs, there’s an edge to her voice that sits just right with this band. I keep seeing ‘Revolution Summer’ mentioned in reviews etc, and there is an element of that sound here (“(We) Disconnect” certainly has a Fugazi/SoulSide feel), but this is a band that aren’t just rooted in the past, these songs feel perfect for today. So if melodic punk rock is your thing, then there aren’t many bands around doing it better than Thirty Six Strategies.

Boss Tunesage: (Tony)

TORSO “Sono Pronta A Morire” LP Agipunk

This was one of those records that I had been eagerly awaiting since the news appeared that it had been recorded, and what’s more was to be released on a European label. When I saw that it was out, my order was on its way about 5 seconds later, not only that, I was so keen to hear it that I bought the digital version from their bandcamp page too. The the lovely fluorescent yellow vinyl version arrived very quickly, but by then I was already in love with this album. If you haven’t caught up with this band yet, they deliver superb, fast, angry hardcore where every song hits the nail squarely on the head, hammering it into your consciousness. All the elements are individually great and all together they make a glorious noise that is as infectious as it is ferocious. The vocals are anguished, which provides a nice counter balance to music that I find uplifting and inspiring; there is no messing about here, these 11 songs are straight ahead and straight to the point. This makes me feel alive. I love Torso.

Agipunk: (Tony)

UK SUBS “Yellow Leader” CD Captain Oi

We can only marvel at Mr Harper can’t we? Where does his energy and drive come from to keep it all punk rocking? Who knows but this album is another gem. I think it helps that the current Subs line up is one of the best and probably the most consistent in the history of the band too. All the band have helped with the lyrics and the music is tight and top drawer with a punch guaranteed to be a knock out with all you UK Subs die hards. Classic Subs sound in some places and daring to be different in others but loaded with attitude and something to say. In fact as they advance down the alphabet Subs albums seem to have a lot more politics than I can remember. Eighteen tracks in all; I’m not going to pick favourites from this one as they are all great, the UK Subs are great! “UK Subs UK Subs…” is the chant at the end of every gig they play and that’s the way I want to end this review but before I do, a mention for the artwork; Roy Lichtenstein produced some great boys-own comic book style artwork in his time and the Subs have had some superbly adapted by Daryl Smith and Steve Kitchen for the album cover and liners. Worth owning a copy just for that in some ways and beats a digital download any day that’s for sure.      UK SUBS UK SUBS Come on!

Captain Oi: (Gaz)

VAASKA “Todos Contra Todos” LP Beach Impediment

This is an angry, snarling beat of an album. There are, and have been, many, many bands taking on the sound that Discharge pioneered all those years ago, some are great, a lot are just pale imitations; I’m struggling to think of any that have executed that sound better than Vaaska do on this record. Eleven tracks of high energy, fast hardcore punk with crashing drums and a real authentic guitar sound that really gets the pulse racing. These Texans acknowledge their influence with drawings on the lyric sheet and even a little “not on Clay Records” note. I have other Vaaska stuff, it’s all good, but this is probably the best yet, and though they may not be doing anything ground breaking or totally new, what they have done is released a totally exhilarating album. Another winner from Beach Impediment.

Beach Impediment: (Tony)

VIOLENT ARREST “Life Inside The Western Bloc” LP Boss Tuneage

What better way to kick off 2015 than a new album from Violent Arrest. After the departure of singer Steve Hazard, the band replaced one great hardcore singer with another as vocal duties are now handled by Artcore/Four Letter Word man Welly. Of course it’s no surprise that Welly fits in so well with this band, his vocal delivery is perfect for the raging hardcore punk that VA deliver, and he has honed his socio-political lyrics to fit the shorter songs here, which helps to hammer the points home. It’s like watching the News with a Truth filter on. Musically it’s what you’d expect; ten fast and furious punk attacks and one song that’s a bit longer and slower, however it loses none of it’s intensity or impact. This is another great release from one of the best bands around; it’s pretty much the perfect album, being exhilarating, angry and outspoken, everything a punk rock record should be. This is out on CD and LP, the LP version also has the CD included, which also includes the last album, “Distorted View”, their tracks from the split with Endless Grinning Skulls 7” and a brilliant cover of the Mau Maus’ “Clampdown”. If there’s a better album released this year I can’t wait to hear it; but I won’t hold my breath.

Boss Tuneage: (Tony)

WARWOUND “A Huge Black Cloud: The Demos 1983” LP Boss Tuneage

A couple of years into the 1980s, Discharge and Crass had established themselves to such an extent that there was an explosion of bands taking their cues from both in terms of sound, lyrics and politics; Crass’ anarchist DIY ideas were instrumental in inspiring a whole underground culture of diverse zines, bands and gigs in local scenes across the country, and then the world. Discharge, on the other hand, inspired a sound, with a million bands taking on their simplistic, aggressive approach to punk, something that is still continuing over 30 years later. Warwound were one of the bands taking the Discharge path; they had the look - the spikes, studded leather jackets and boots - the simplistic lyrical attack on impending nuclear war, life for ‘80s teenagers and police brutality, and they had the sound. It’s a very noisy version of the Discharge template, with Disorder being, perhaps, a more obvious reference point; even their cover of “Never Again” sounds more like Disorder than Discharge. This CD has their three demos, which, I think, is all they did before members left to join the Varukers and later Sacrilege. This isn’t the most obvious band for Boss Tuneage to give the re-release treatment to, but I’m glad they have as it’s always nice to have this stuff documented. The 25 tracks here are gloriously noisy, and a good snapshot of what hundreds of never to be heard bands were doing in bedrooms and practise spaces all over the UK at the time; that said, this doesn’t sound out of place today, with plenty of grindcore and D-Beat bands still playing this style the world over. There is a certain purity to recordings like this, it’s the sound of impassioned, indignant, angry youth getting an outlet and a mouthpiece for their rage and dissatisfaction. In the 1980s, the young didn’t sit ignorantly in front of reality TV, fawning over celebrity excesses, they picked up guitars and made a noise, and we all know noise is for heroes!

Boss Tuneage: (Tony)

WATCH YOU DROWN  “Something Old Something New” CD Wired

When I think about Watch You Drown first time round it’s not their records that stick in my head, it’s seeing them live; they were always a band I liked but Who’s records I never really played too much. Well, that has changed with this CD, I’ve been playing it a lot and I really like it. These songs aren’t the short blasts of hardcore punk rock rage that usually fills this room, they are longer and more mid paced, but have a power and intensity that really resonates. I’m reminded of “Vengeance” era New Model Army with Russ’s vocals having something of TV Smith feel to them. Two of these tracks are re-recordings of old songs, first 7” track “Paint A Picture” and “WYD” which was on their album; they sound great and sit nicely alongside the three new songs. Someone posed a question the other day asking if any reformed band had released anything better than their original output? Well I have to say Watch You Drown have done that, and it’s really good to have them back.

Watch You Drown: (Tony)

WESTERN ADDICTION “I’m Not The Man That I Thought I’d Be” EP Fat Wreck

It’s ten years since I last got a Western Addiction record, and it’s probably just as long since I listened to them. I remember that I quite liked the album, but it wasn’t strong enough to have remained with me, so I was curious as what this would sound like. The title track is different to how I remember them sounding, it’s more mid-paced, more rockin’ and with more ‘punk’ sounding vocals. The other two songs are more like the sound I recall, and although “Clatter & Hiss” is a demo of a song that will appear on their forthcoming album, “Cold-Hearted Maceration” is pretty good.

Fat Wreck: (Tony)

YDI “A Place In The Sun/Black Dust” LP Southern Lord

What we have here is the complete discography of Phiiladelphia’s YDI. Starting with their  demo, the first 15 tracks are a blistering whirlwind of chaotic hardcore, bursting with the sort of energy you’d expect from the East Coast of the US in the early ‘80s. It reminds me of those early Dischord bands, only faster. Later that same year, 1983, nine of those songs were released as the “A Place In The Sun” EP. The recording may be a little cleaner, but that doesn’t take away from their blistering fury; the songs race by in a blur of exhilarating noise, so much so that the intervening years haven’t dulled their impact one bit. A couple of years later, and with a new rhythm section YDI released an album. “Black Dust” was far heavier, with longer songs, guitar leads and a slower pace; a sound that in it’s better moments is reminiscent of later Black Flag, but more often than not is just metallic, stomping, macho hardcore, the sort of stuff that has always left me cold. Having said that, this is a great document of one of the lesser heralded bands form USHC history. This double vinyl document contains every known recording of the band, also inside is a 10”x10” full color photo book with tons of never before seen images from the era.

Southern Lord: (Tony)

ZOUNDS “The Curse Of Zounds” LP Overground

Brand new, white vinyl re-issue of one of the most iconic albums of early ‘80s. Almost by accident Zounds got caught up with the anarcho punk scene that exploded in the wake of the early Crass records and gigs; although they had been going for a while, releasing an EP on Crass records gained them an army of new followers and led to them going to Rough Trade for more EPs and this album. Of course, you know what it’s like: melodic, guitar driven songs that sound as good today as they did 25 years ago. This is an album that is as influential as Crass’ more harsh sounding records and still as fondly remembered, and this is a welcome vinyl re-issue,. The white vinyl looks stunning.

Overground: (Tony)

VARIOUS “A Country Fit For Heroes ‘15” Cassette Artcore

The cover of this tape is a nice nostalgia trip for us old buggers, but that’s where the looking back ends, this is about what is happening now, in the UK. 24 songs from 12 bands showcasing some of the styles currently bursting out of the practise rooms, studios and venues of this country. Back when I was at school, compilation albums were a valuable source of new bands and new styles, they introduced me to bands that would go on to become firm favourites, and some of the records remain special for me. Then for a while compilations were just substandard label samplers that offered nothing new; just recently though, there have been a few great comps released, and this is one of them. True I had already heard a fair few of these bands, but that’s ok, because there are a couple here that I’m going to track down more from. This comes with the latest issue of Artcore, and if the tapes have all gone, you’ll still get a download code and a copy of the cover so you can make your own.

Artcore: (Tony)

VARIOUS “Hardcore Gimme Some More” 7” Beach Impediment

Six bands and six hard hitting hardcore songs, full of D-Beat pounding and unrestrained fury. First up are S.H.I.T. and as you’d expect it’s another top thrasher; they are a band that has yet to put a foot wrong. Following them are Peacebreaker and Mercenary with two more no nonsense, speedy hardcore offerings. Side two is kicked into life by Impalers, one of the more interesting bands around at the moment, with Violent End and Ajax rounding off a great compilation showcasing six worthy bands. This is another top release from Beach Impediment, and well worth tracking down.

Beach Impediment: (Tony)

...the message

ARTCORE #33 / A4 / 2.50

Hot on the heals of the last one comes another great issue. This one is a special UK punk  rock addition, showcasing some of the great bands currently making waves both here and further afield, with bands like DIE and Good Throb both featuring in several of the MRR 2014 Top Ten lists. Along with those two you also get to read about The No Marks, Arms Race, Broken Cogs, Thirty Six Strategies, Violent Reaction, Bloodbuzz etc, as well as Tadpole Records, a report from the Static Shock Fest, a UK tour report from Modern Love and still more. This comes with a compilation featuring 12 UK bands. I think the cassette version has sold out, but there is a download code and a copy of the cover for you to make you own tape copy. Another essential issue of Artcore.

Artcore: (Tony)

EVERLONG #13 / A5 / £1 & Suitable SAE

This is the last ever issue of this great Bristol fanzine as sadly founding writer Clay Baldwin passed away last year after contracting a virus that attacked his heart. He was the younger brother of founding Vice Squad member Shane Baldwin and the Everlong contribution to the fanzine community will be very much missed but all the richer for having had it there. This last issue is featuring his interviews done with Mudhoney, Rancid, L7 and Mega City Four done in previously released issues. There is also a previously unreleased interview done with Roi Pearce of The Last Resort, tattooist Jo ‘Candymachine’ Bourgon, The Cheaterslicks and The BelleFleurs. This last issue is a great read and a fitting tribute to Clay, who I never had the pleasure of meeting, but anyone who had the energy and enthusiasm to start a fanzine is surely one of life’s good guys. RIP Clay.

A bit light on contact details but contact me via SD if you want a copy (Gaz)

FAILSAFE #12 (I think!) / A4 / Price?

Firmly stuck in all things UK82 Failsafe is a glossy well put together zine. Guaranteed no new bands (Their words not mine!), but guaranteed to give an intimate insight into your Punk bands from that now legendary era for the UK punk scene! This issue features The Fits, Anti-Establishment and American outfit  Dont No.. All the right questions are asked and all well answered by Mick Crudge of The Fits, Gavin Gritton vocalist with Anti-Establishment and a huge interview with Albee Sacramone of American band Dont No.. I have no idea how much this zine costs but it is a great read so contact them via the email address.

Failsafe: (Gaz) 

FOR OURSELVES FOR EACH OTHER - The Say It Right Writers Circle Anthology B/W&Read Press

The best thing about this book is that it exists, that it was written, compiled and published by people like you and me. It proves that we can do anything, we don’t need the mainstream, we don’t need to compromise, we can do what we want just because we want to. Anyway, the Say It Write Writers Circle was 5 people who came together in January 2014, with the intention of writing around 700 words on a set subject every month for one year. Each month the pieces were posted on-line. This book is those pieces, compiled, and bound in a lovely looking cover. And it’s a proper book, and it is really cool. I’m not going to say which pieces I liked most and which I didn’t really connect with, that’s not important, what is important is that the drive and energy, fueled by the DIY punk ethic, of these people made this happen. There is both fiction and non fiction as well as poetry taking on topics as diverse as Nature, Sport, Work, Rebellion, Spirituality, Christmas and Censorship etc. My book mark while taking my time over this was a flyer for a DIY distro, a different venture, but one that comes from the same place as this. This is a really great  thing and something that you should all own a copy of. Good work and up the punks.

B/W&Read Press: (Tony)


The Truth of Revolution, Brother… is a serious book and is not easy reading for the most part as it explores the philosophy of Punk. I will say that this is probably the ultimate book on the matter. The great and the good who have played their part, many from the start, shaped so many minds and presented a genuine, unforced alternative are interviewed. Penny Rimbaud, Steve Ignorant  and Gee Vaucher of Crass are featured as you might expect as are Vi Subversa (Poison Girls), Steve Lake (Zounds), Mark Wilson (The Mob) and others in bands in their own autonomous right but never the less often named alongside Crass. But, it’s not a book falling all that way; Jello Biafra (Dead Kennedys), Charlie Harper (UK Subs), John Robb (Goldblade), Ian MacKaye (Minor Threat, Fugazi & more) Tim ‘TV’ Smith, Dick Lucas (Subhumans), Deek Allen (Oi Polloi) and many others tell their story and give their take on what Punk means to them. The book itself has been thoughtfully created by many individuals, no money taken from banks to get it to you and printed by a workers co-op based in the East End of London. This I guess is the true spirit of Punk!

Situation Press: (Gaz)